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While Jay is notoriously private about his life with wife Beyoncé, Binelli gets the rapper to let down his guard, and Jay reveals his superstar better half vetoed a piece of artwork he’d bought for their 8,000-square-foot Tribeca penthouse. “It has this rebellion thing that hip-hop is missing now, the thing that made hip-hop hip-hop.” “I love the energy coming out indie rock right now,” he says, name-checking Grizzly Bear. It seems the man who made his name rhyming about hustling and hos in Brooklyn’s Marcy Projects is actually more comfortable around an unlikely new crowd: indie rockers.
#Spell faux pas how to
In the latest issue of Rolling Stone, contributing editor Mark Binelli goes one-on-one with the New York legend, watching Jay-Z try on a new suit in his sprawling Manhattan office and tagging along to the Four Seasons, where the rapper goofs by mispronouncing actor Kelsey Grammer’s name at a watch auction (after calling the Frasier star “Chelsea,” he asks Binelli how to spell “faux pas”). At the age of 40, Jay-Z qualifies as an elder statesman of hip-hop, a fact that’s more remarkable considering other rap peers have hung up the mike to pursue careers in Hollywood. And he’s riding high after leaving his longtime label Def Jam to work a $150 million deal with Live Nation, delivering some of his best live performances ever. He hangs with Barack Obama at the White House. He’s had more Number One albums than Elvis Presley. Jay sends some love to indie rock, which he says “ has this rebellion thing that hip-hop is missing now.” Also, he can’t spell “ faux pas” which I found endearing. But still, the interview excerpts are interesting. Not even the Fake America that the conservatives allude to. I like Jay and everything, probably more than most – I find him funny, charming and full of the right kind of ‘tude. Can I just say something? He’s not King of America. Jay-Z is the cover boy for the new issue of Rolling Stone, and they declare him “ The King of America”.